Category Archives: Theater

Another Marker…10 Years ago this week my first play was produced!

Posted on October 3, 2011 | Leave a comment

10 years ago this week my first play was produced in NYC. The play was aptly titled “The Miracle.” It was about a young man who had lived with a false HIV test for three years. He discovers the test was wrong, but it doesn’t really change his life or his choices.

Because I didn’t know anyone in New York City yet, I was also the play’s director and cast all my friends in the parts. The play happened right after Sept 11th and it was such a scary time.  I was totally afraid to put on a play during such darkness, but there was light in this play and with these people. Plus, I was urged to continue. The play brought levity to a dark situation, so I learned that theater, my theater could heal the heart. I could make people laugh.

My roommate Gabe was our co-director and lighting designer. My other best friends were my actors. Somehow we filled those seats for every single performance. I remember sitting in the full audience feeling the energy and hearing the laughter. There’s nothing quite like it, hearing your own words being interpreted by actors. I felt so inspired…like if I can do this, I can do anything. You can’t go too far without good friends in this life. I love all my friends who helped with that production and I certainly haven’t  forgotten how much fun we all had. In December my 50th production/and or reading/public performance of my work will be produced in New York City since that crazy show back in 2001. Follow this link for updates. My play He Says His Name Is John, a one-act I wrote while commuting to my job in White Plains in 2007 is getting a small production at The Looking Glass Theatre’s Winter Forum. I wrote this play when I was working for Starwood Hotels and I took the train to work everyday. The only free time I had back then was during my train commute. I wrote this play in the first few months of the job. By the end of two years I wasn’t writing so much, I had been corprotized.

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Posted in New York City, Plays, playwriting, September 11th, Theater, Women, Writing

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Reporter Girl at the Comic Book Theater Festival June 3-12.

Posted on June 5, 2011 | Leave a comment

I’ve been too busy writing my play to actually promote what we are doing here, but below is the official press release. What is being presented is the first half of a completely new version of my full-length play Reporter Girl. Erica Gould, the director, talked me into re-writing my entire script from scratch, which I have done in just three weeks. This has been an insane creative time…and although the time was short, the results are absolutely amazing.  The performances are “on book” but there is lights, sounds, props, some set elements and costumes

Reporter Girl by Laura Rohrman

Reporter Girl by Laura Rohrman

that will help you image what this play would be like fully staged. We would love feedback and are having a talk back after every performance.

FOR IMMEDIATE RELEASE Press Contact: Lanie Zipoy | lanie.zipoy@gmail.com | 646.399.8650 Festival Press Contact: Emily Owens PR | emily@emilyowenspr.com | 972.743.3746
WAVERLY WRITERS COLLECTIVE Presents a workshop production of REPORTER GIRL as part of The Comic Book Theater Festival
J une 2 – July 1, 2011 at the Brick Theater (575 Metropolitan Ave.) Performances: Friday, June 3rd at 8:45 pm; Sunday, June 5th at 4:00 pm; and Sunday, June 12 at 8:00 pm
New York, NY (May 31, 2011) – Reporter Girl is Laura Rohrman’s full-length play about cartoonist Dale Messick, who created of the famous cartoon strip Brenda Starr Reporter in 1940. Directed by Erica Gould (world premiere of Neil LaBute’s autobahn), the play weaves together a narrative that spans four decades and includes family history, actual cartoon strip plotlines and characters, and most important of all — fantasy—to create a portrait of an artist as a creator and woman. Reporter Girl is a sexy re-imagining of Messick’s life in the 1940’s as her career was taking off. Messick broke through countless barriers and paved the way for other female cartoonists who came after her. She did this not just for cartoonists, but also for women in all professions around the world. She created a sexy heroine who didn’t need a man at a time when most women stayed home to be housewives and raise kids.
Reporter Girl examines what creativity really means and what Messick may have given up to get what she always dreamed of. The play also explores how this dream of getting what you want affects not just her granddaughter, but women around the world. Reporter Girl has been a Weissberger Award nominee, a Princess Grace and O’Neill Finalist among other awards. Laura Rohrman, the playwright, is the maternal granddaughter of Dale Messick.
The cast of Reporter Girl features Julia Crockett, Amy Dickenson, Meghan Grady, Kate Grimes, Chad Hoeppner, Betty Hudson, and Richard Thieriot. The production team includes Alexis Distler (scenic design), Evan Truesdale (lighting design) and Scott O’Brien (sound design). The assistant director is Blake Bishton.
Reporter Girl will perform Friday, June 3rd at 8:45pm; Sunday, June 5th at 4:00pm; and Sunday, June 12th at 8:00pm as part of The Comic Book Theater Festival at The Brick (575 Metropolitan Avenue between Union Avenue and Lorimer Street, Brooklyn). Tickets ($15) may be purchased online at www.bricktheater.com or by calling 866-811-4111.
The Waverly Writers Collective is a young, diverse group of talented, award-winning playwrights, directors, actors and producers whose work attempts to shine a light on the world in which they live. The company was founded in 2003 by Laura Rohrman and Aurin Squire, who both studied playwriting at The New School for Drama in New York City. The Waverly Writers Collective has produced 30 new plays and 12 new playwrights including: Carla Ching, Bekah Brunstetter and David Caudle. Productions include: 9 x 9 (2003), Two Guys and a Girl (2004), Babies Bombs and Love (2005). Co-productions: My Life As You (2006) and Femme Feast (2009). The group’s mission is to create new and exciting opportunities for emerging and established artists.
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LAURA ROHRMAN (Playwright) Playwriting credits include: Reporter Girl, a finalist for multiple awards including: The O’Neill Festival, The Weissberger Award and The Princess Grace Fellowship, and My Life As You a 2006 Playwrights First finalist that had a sold-out production NYC production starring the Emmy nominated Jeff Branson. NYITA Judges called the play “A great evening with smart and funny writing.” In addition to being a two- time finalist for The Samuel French short play festival, her plays have been produced and developed at many theaters around New York City and elsewhere. Her plays have been selected for readings and productions with the following theaters: Second Stage Theater, The Vital Theater, Manhattan Theatre Source, Emerging Artists Theater, Rising Sun Theatre, The Looking Glass Theater and Native Aliens Theater Collective. Outside of New York her work has been developed and produced with The American Conservatory Theater, Diva Fest (San Francisco) and The Lost Theater Festival in London, UK where here play Below 14th was called “Brilliantly funny” by adjudicator Adrian Brown. Her work has been developed with help from The Actors Studio Drama School/The New School For Drama, Vital R&D, RCL Writer’s Group, The Fold and The Emerging Artists Theater. Laura has an MFA in Playwriting and Acting from The New School for Drama in New York City. She is a member of The Dramatist Guild. http://www.laurarohrman.com, http://www.thepopcycle.com
ERICA GOULD’s (Director) directing credits include the world premiere production of Neil LaBute’s autobahn and the premiere of LaBute’s one-acts, Sound Check, and Stand Up with Mos Def (MCC); What Light From Darkness Grows (for NPR with Phylicia Rashad, Harry Lennix – Golden Reel and Gracie Allen Awards); The Minotaur by Anna Ziegler with Mario Cantone, Jill Clayburgh, and Campbell Scott (The Fire Dept/Players Club); As You Like It (Shakespeare Theatre/ACA, DC); Troilus and Cressida (NY Stage and Film); the new musical Max and the Truffle Pig (NYMF); Adopt a Sailor with Sam Waterston and Liev Schreiber (Brave New World, Town Hall); Ms. Gould’s adaptation of Milorad Pavic’s Dictionary of the Khazars (Culture Project, Williamstown, Yale); The Rover (Bank Street Theatre); SpeakEasy, a site-specific theater piece by LaBute, Theresa Rebeck, Rajiv Joseph, others (Joe’s Pub/Public Theater); The Beggar’s Opera (Pace); and a staged reading presentation of Kate Maracle’s Pretty Ugly Things with Kyra Sedgwick and Brian Dennehy. Currently running: US premiere production of Inigo Ramirez de Haro’s Me Cago En Dios (Holy Crap) at La MaMa. She is Co-Artistic Director of The Fire Dept Theatre Co and was the inaugural recipient of the SDC LiveOnScreen Initiative for directing on-camera. She has taught Classical Acting, Voice and Movement, Directing, and stage combat at Yale, NYU, Fordham, Pace, O’Neill/NTI, Bard, others.

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Posted in Brenda Starr Reporter, Cartoons, Fashion, Theater, Women, Writing

A Delightful Evening of Social Romance

Posted on November 5, 2010 | Leave a comment

A Delightful Evening of Social Romance

I’ve always wanted to produce an evening of holiday themed plays and finally I’ve done it. Here’s a link to our press release on Broadway World.com

It’s a mini production, a night of readings, which has turned out to be a lot of fun, and it’s cheaper and easier than putting up a full production. These days, I really need to try to make my life a little easier…

To make up for the lack of production, we are only requesting a $10 donation. That’s a fair trade, right? The whole thing is a benefit for Manhattan Theatre Source, a theatre that needs way more than your $10 donation to stay afloat, but that’s another story.

Why you should go:

Do you like funny one-act plays, goofy songs, already miss the show Mad Men and often pretend that you are Don Draper? Do you miss the days when Santa filled your stocking?  Did you enjoy the book Memoirs of a Geisha, then consider how you might become a Geisha?  Have you ever met someone online? Did you like the movie The Social Network? Basically if you are a human and you live in New York City, you’ll enjoy this show. The only thing missing is alcohol, which you can get at the bar next door, North Square, which serves the best “Blood Orange Martini” I’ve ever had.

The new comedic one-act plays include: “Geisha School” and “How Don Draper Saved Christmas” both written by Laura Rohrman (moi) and directed by Li Murillo and Michelle Pace.  Sara Adler will perform 2 songs and there will be one other play “Cyberia” written by Aurin Squire.

The Benefit is one night only. Wednesday, November 10th at 8PM at

Manhattan Theatre Source which is located at 177 MacDougal Street/cross is at 8th

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Posted in Humor, New York City, Plays, playwriting, Television, Theater, West Village, Writing

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Voices Without Borders: It’s Possible

Posted on October 19, 2010 | Leave a comment

This fall has had so many amazing happenings. It feels as though I have been at the helm of many projects: my daughter’s first birthday, my husband’s 40th birthday party, getting back in shape, running a race and my part-time marketing business. I also have two full-length plays in development, many articles due and then there is this crazy rouge project that you must go to!

Back in March when I thought I wasn’t going to work for awhile, but be a stay at home mommy, I was in search of the perfect volunteer project.  I was looking for something that was outside of me, but still me.  So I signed up to be the producer of what was then called Voices of Africa, part of The Estrogenius Festival at Manhattan Theatre Source.  By June I had gotten really busy, taking on private clients that I never expected and the Voices project seemed dead in the water. We had no script coming from Africa this year. I was about to call it a day and forget about it. Then things shifted and Jen Thatcher, this year’s Estrogenius producer put me in touch with Jessica Morris, who is the executive producer of a kick-ass group of young women performers called Project Girl Collective that is all about empowering young women through performance. Jessica also happens to be one of the most courageous, driven and inspiring people who I have ever met.

Welcome to Voices Without Borders: Project Girl Congo. I am one of what feels like 50 producers who helped shape this piece.  Led by hip hop artist Toni Blackman, the Project Girl girls’ have developed monologues, poetry, song and dance numbers inspired by stories told by the Man Up delegates working in the Congo, who in this case, are men who are working tirelessly to stop violence against women in the Congo every single day. These men have lost wives, mothers and sisters to violence, lack of education and health care. Many women die giving birth since there is little to no access to maternal health care. These men are standing up for women, as are the young women/performers of Project Girl who are taking time away from school and their social lives to stand up for women in the Congo. What are they giving? Their time, their hearts, their energies. What are we asking of you? To give the same. Be aware of what’s going on in other parts of the world. Watch our show, which is a fundraiser.  Every penny of the proceeds goes back to the Congo to stop violence against women and girls. If you cannot come to the show, please log onto, http://www.s317461102.initial-website.com/donate/, to support this worthy cause.

“Just about every kid in America is told that they can make a difference in this world,” says Project Girl performer Alexa Winston, age 17. “Now I have a real opportunity with Project Girl: Congo. For the first time, I have heard first-hand accounts about what life is like for girls in the Democratic Republic of Congo.  These stories are the bedrock of our show.  I know exactly where our donations are going and am proud to support the courageous young leaders who are “manning up” in the DRC.”

This ground-breaking show will be a staged reading performed at Manhattan Theatre Source as part of the Estrogenius Festival on Oct 29th and 30th in New York City. The show tells the stories of young girls in The Congo and helps us all realize that we can do something right here, right now by just being aware.

I never knew, for example, that the fear of being raped is a fact of life for women in the Congo and that being permanently damaged (or “ruined”) from a rape is a common occurrence there.  However, what trumps all of this violence is the fear of being killed as a result of living in a war-zone where child soldiers are shown with precision how to abuse women as part of their military training.

Through education and enlightenment, it is our hope as producers that we are encouraging awareness about what is going on for women in the Congo and for women right here in our community who are affected by gender-based violence.  The statistic is 1:3 women and girls around the world are victims of violence.  Clearly, this is a universal travesty that our youth-led theater company, Project Girl Performance Collective and Man Up, a youth led movement to stop violence against women and girls are working to change.

Voices Without Borders with be performed in connection with Congo Week, which is October 17-23, 2010, and Voices Without Borders will be co-produced by Congolese human rights organizers, Ally Malumba and Jean de Dieu Tshileu and Lewis Kasindi.

Proceeds from this year’s Voices Without Borders ticket sales and donations will benefit Man Up Campaign’s global anti-violence work in the Congo.

For more information and ticket sales, please visit Estrogenius Festival (www.estrogenius.org), ManUp Campaign (www.manupcampaign.org), Project Girl Performance Collective (www.projectgirlperformancecollective.org).

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Posted in Plays, playwriting, Poetry, Politics, Theater, Uncategorized, West Village, Women, Writing

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The Confidence Man on a Boat

Posted on September 16, 2009 | Leave a comment
The Confidence Man

The Confidence Man

Actors from The Confidence Man

Actors from The Confidence Man

A couple of weeks ago, I set out for yet another New York City adventure – late in pregnancy too, which surprised everyone.  My friend Lara Gold was acting in a play on a boat, so without knowing too much about it, a friend and I booked tickets for the opening night of previews of The Confidence Man, which was a play being performed on the Lilac, a boat found on Pier 40 in NYC.  I was excited to go see a show on a boat – that’s a little different, but this experience was a complete surprise for me and my unborn baby.  The Woodshed Collective, a young group of producers who like to do interactive, large ensemble plays in odd places – like an office space, or on a boat for example, decided to tackle The Confidence Man by Herman Melville.  When we arrived at the pier of the Lilac on Pier 40, we were put in groups based on the number of our ticket and assigned to a docent, who would be our guide for the 2-hour boat play.  Turns out, this was not a normal play at all.  It was many interweaving stories out of the book put to dialogue – and depending on what number (or who your docent is) you will be seeing a different story.  Our docent was hilarious and a great improver, and the stories were fun too — though, none of it made much sense to be honest which is probably because they were out of context.  The experience, however, was still extremely unique and I did feel like I was in a different time altogether.  Even though the boat never left the dock, baby and me were in for the ride of our lives. The audience members had to run all over the boat, up and down and, well, for anyone of you who have a disability, have a hard time walking or standing – or happens to be 81/2 months pregnant, I wouldn’t suggest it.  I’m glad that no one mentioned the running around to me, or I probably wouldn’t have gone.  For now, I’ll chalk it up to one more wild adventure for a pregnant lady who loves drama.

Venue Name: The Lilac
Venue Address: Pier 40
Venue City: New York
Venue State: NY

Where: New York-NY Venue

Source: http://www.woodshedcollective.com

When: 8:00pm Wed 9.16.09-9:30pm Wed 9.16.09 with 15 other show times tonight through 9.26.09

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Posted in Literary, New York City, Plays, Theater, West Village

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Go To the Fringe Festival – See Viral

Posted on August 21, 2009 | Leave a comment

If you are new to New York or just visiting, you might be wondering what’s “The Fringe” and why should you go? The NYC Fringe Festival is one of the largest and best festivals of new plays in the world. Every August for the past nine years companies from all over the world have come to NYC to showcase their work (from dance to theater) and hopefully get some needed recognition and sponsorship of producers. Many little Fringe shows, playwrights, actors and directors go on to be quite successful. Urinetown came out of the Fringe as did Matt and Ben and many others. Doing well in the Fringe can really help a playwright get to the next level in their career. I’ll be short and sweet with this one because this play will close and you must see it. Viral, a new play by Mac Rogers (who has written several other successful Fringe plays and other plays around the city – read my review of his last one) scores on so many levels that I think newbie playwriting students should go see this play as an example of how to hit every element needed to make a great play, which is extremely difficult to do and rare to see. Talk about it afterward and try to analyze what makes it so great. In Viral, Rogers brings the audience into his characters bizarre world effortlessly; and by the end we almost don’t want to leave it. First of all, he starts out right by choosing an intriguing subject matter (watching someone’s last breath). However, a great subject matter does not alone make a great play; it’s the je ne sais quoi that makes a play go from good to great, but playwriting professors will tell you that it’s the combination of craft and the uniqueness of the world that you create. This play has both. Rogers didn’t just create compelling characters with believable dialogue, he makes us root for them. More importantly he gave them something to do, a problem — with life and death stakes that takes the entire hour and half to resolve. Viral centers around three fabulously dysfunctional misfits who get off sexually by watching people die via “painless suicide.” The forth star of the play is the client, the dark and sexy Amy Lynn Stewart, the victim who wishes to die. The big question to be answered by the end of 70 minutes is clear and you won’t be disappointed. Obviously I don’t want to give too much away, but just know that the ride in Viral is a hideous and beautiful journey, well worth and hour and half of your time. Playwrights of every pedigree (and producers) should pay attention to this one. It’s extremely rare to see a play working so well with so much craft in place. I can’t tell you how many plays that have been lauded in recent years actually aren’t terribly well crafted or worth all the hype. I’m not saying these plays aren’t  enjoyable to watch; they are. In my opinion they are just a tad overrated. Those of us who know better, who are shooting to someday write a play that follows the rules that are so hard to master, should look no further than Viral, found in the bowels of New York City at the Fringe Festival: it’s perfection!

Viral is only playing for two more performances, so catch it while you can.

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Posted in New York City, Plays, playwriting, The perfect play, Theater, Uncategorized, West Village, Writing

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Ah The Summer Winds

Posted on May 29, 2009 | Leave a comment

Ah, The Summer Winds
This past weekend before I left the city for some fresh summer winds of my own, I was determined to get off my butt and support one of my friend’s plays.  If you are an artist in NYC, part of the job and fun is going to support your friends’ when they do plays and such, even if they don’t always go to your plays and even if the production values are sometimes rather drab.
Lately, because I haven’t been feeling well, I’ve all but stopped the process of seeing any plays at all (friends included).  I’m just hoping that my many years of good service will pay off and my fellow theatre artists will forgive me for my recent slight of their work.  But since I am starting to feel better, this weekend I made a point to see a friend’s play, The Summer Winds a revival of the 1991 published work by Frank Pugliese.
Who was the lucky friend?  Ian Streicher, a talented director who I’ve worked with several times. I also knew the writer, Frank who was my playwriting instructor when I studied at the New School for Drama in 2005. I had never seen his work, so I was interested in seeing the show.  Also, there were two good actors who I’ve worked with: Nannette Deasy and Robert Baumgardner, so I figured this wouldn’t be a waste of my time, and it wasn’t.
The Summer Winds is being produced by Family Tree Collective, a group of actors who are interested in “artistic growth through performance.” It’s playing at the very bohemian Nuyorican Poet’s Café in the East Village, on 3rd Avenue between Avenue B&C. Not the greatest neighborhood in the world, but a pretty good place to produce the show as it turns out.  The Summer Winds is a collection of short plays and monologues about “losers” in NYC – from Brooklyn to the Bronx. Pugliese seems to know this world well and he covers all types: a couple who have been married for six years and have nothing to hope for anymore, a dancer who never made it, a lonely garbage collector who spent time in prison and a woman who married the wrong guy.  All real New Yorkers – the ones who are sad, the ones we don’t talk so much about, but who we know well because we see them, hear them – and they are ingrained in us.  For every success there have been failures and for those of us who live day-to-day in New York, we know it’s tough and it sure as hell isn’t for the weak. These characters are strong and despite having lost sight of their dreams they still want to fight.
The plays hang together by a comedian and talented singer, Brian Murphy, who pulls off some Frank Sinatra greats, culminating with the song: The Summer Winds.  The material is unusual.  It takes a very skilled writer to write plays like this and truly great actors to bring them to life.
At times I had trouble seeing the action (the seating is not great at the Nuyorican, which is sort of like a bar) and I often  wished for a more comfortable chair.  Despite those minor inconveniences, the material, direction and cast of The Summer Winds is well worth your time.

The Summer Winds by Frank Pugliese

May 29, 30 at 7PM and May 31st at 6PM.  Tickets $15 at www.smarttix.com or call 212-505-8183

Nuyorican Poets Cafe – 236 E. 3rd between b&c

Oh, and if you want to see one of my plays? My one-act Without is part of the The Looking Glass Theatre’s Spring Writer/Director forum June 4th-7th.  To buy tickets: 212-352-3101 or go to their website at www.lookingglasstheatrenyc.com

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Posted in New York City, Plays, playwriting, Poetry, Theater, Writing

“Without” at The Looking Glass Theatre

Posted on May 21, 2009 | Leave a comment

My play “Without” that I wrote in 2004 and was a finalist that year for the Samuel French Short Play Festival is being produced again at the Looking Glass Theatre in NYC June 4-7.  I originally wrote the play while studying playwriting at the Actors Studio Drama School at the New School. There is some interesting history to this play and it’s sort of ironic that it’s my most produced play (this is the third time it’s been produced in NYC).  Oddly enough, every time I get a production I re-write it a little, so it’s kind of always evolving.  The play is about a young woman who is attacked by a gang in Paris and as she’s trying to piece together what happend and who attacked her she discovers something – a miracle perhaps?  It’s one of my plays that deals with the psychology of the mind and plays with an alternate universe.  The Looking Glass Theatre is blogging about it,  so if you are interested in checking it out – you can buy tickets on their site.

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Posted in Feminism, France, French, French stuff, New York City, Paris, photography, Plays, playwriting, Theater, Travel, Women, Writing

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Something for mom: Femme Feast

Posted on May 8, 2009 | Leave a comment

This Sunday at 3PM the Waverly Writers, Wanderlust Productions in association with The Playground Series at Manhattan Theatre Source will present “Femme Feast”, a veritable feast of female performances. With short plays by Bekah Brunstetter, Lisa Ebersole, Lara Gold, Laconia Koerner and Laura Rohrman (me) it’s sure to be outstanding! This is truly a labor of love and since I am one of the producers, I am certainly urging you to attend…and yes, bring your mom! Tickets are $15. Reservations: (212)501-4751 or order online.

Manhattan Theatre Source 117 Macdougal Street New York City between 8th Street and Waverly Place

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Posted in Feminism, Gay Rights, Hillary Clinton, Humor, Literary Agents, New York City, Plays, playwriting, Theater, West Village, Women, Writing

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How to BE the best?

Posted on April 3, 2009 | Leave a comment

This weekend I was dosed out with theater…Okay, first off, I know I haven’t posted in awhile.  I’m bad – or maybe, I have a good reason. I’ve been sick.  I should be better soon….times are tough with the Noni blog.  What’s new? I’m co-producing an all lady festival called Femme Feast in early May and we are having a big fun raiser called the Lady Cakes Ball where you can get free cupcakes in addition to seeing awesome live entertainment – uh, bands, burlesque dancers, the singer Deanna Neil….it’s going to be hot.  All for $1o bucks!  Cool, right?  It’s at Karma Lounge in NYC on April 16th — doors open at 7.

So all this is taking it’s toll.  We are also producing a theatrical event with 6 or 7 pieces, Butoh dancing, musicians — it’s wild!

So anyway…mid week, I was feeling my usual pain — can’t eat anything…ugh sick…and then I get a call from a director, Michael Parva, who offerred me one free ticket to his Broadway show currently in previews — the show — Irena’s Vow.  Don’t walk, run to get tickets!  I loved it!!  The NYTimes called it “cheesy”, and the reviewer felt it skipped over things — but c’mon we are telling a Holocaust story. I personally thought everyone did a beautiful job and hey — I cried, so I went home happy…which is more than I can say about a host full of mediocre cliched plays I’ve seen in the past weeks.   So good is good is my opinion and great is great. Go see Irena’s Vow.  It’s about something good, real and not just another war story.  In fact, I’m really happy to see all these Holocaust stories coming to life from other perspectives.  Remember when the only story we knew of was Anne Frank?  It’s okay. It doesn’t get tired. It’s part of history.

On Sunday I went to the BE company’s first fundraising event at The Rattlestick Theatre Company.  I was tired and didn’t really want to be there, but boy was I pleasantly surprised by what I saw — some extremely well written one-acts, that were certainly augmented by stellar acting and directing – with a bit of guitar.  Then, after it was over everyone was invited to socialize at Bobo — only my favorite restaurant in the village.  Unfortunately, I started to feel crappy and had to go home to uh…lay there and stare at the ceiling.  I heard it was fun.  And yes, when the BE Company starts producing plays make sure to check them out.  I want to BE them — classy, cool and full of talent.  Oh, I am…whew.

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Posted in Broadway, NYC Parties, Plays, playwriting, Theater, Uncategorized, West Village, Women, Writing

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